(Our thanks to Alice Zhou, of GraciousHost.ca, for arranging this visit to Siddhartha’s Indian Kitchen, and providing us with these photos.)
Last weekend, it was snowing in Vancouver, perfect for the close of the Olympics! Blanketing the city lightly in white, it’s also become quite chilly over the past few days, so why not go out and have some spicy, tangy Indian food to warm the body?
See: Gallery of Siddhartha’s food Continue reading
Chelsea Hotel is Returning to the Firehall
I was very fortunate last year (2013) to see Chelsea Hotel at the Firehall. Anyone familiar with Leonard Cohen’s songs know they tell stories. With a little imagination, you can think of a musical with a narrative inspired and held together by a selection of these songs, and that’s what the play is about. The lead character wants to write a novel, so he checks into the fabled Chelsea Hotel for inspiration.
For background, Leonard Cohen’s Chelsea Hotel song is about an affair with him and Janis Joplin. The Chelsea Hotel is also where Kris Kristofferson (another lover of Janis Joplin) wrote “Me and Bobby McGee”, and where Patti Smith and Robert Mapplethorpe lived for some time, among the many artists who passed through there.
Following the informative and insightful review by my colleague, not to mention several others that have appeared in the last day, is there anything more to say about Hirsch, currently playing at the Firehall for the next few nights?
I couldn’t resist. This is one of those plays that has an incredible intensity such that it stays with you for days afterwards, and I had to talk about it too. John Hirsch, as a director, continually went inside the minds of the characters. Mother Courage and Her Children, by Bertold Brecht, tells the incredible suffering caused by war to civilians. Hirsch, in a very moving scene, explains to his actors how they must feel the crushing weight of all the suffering that wars have caused, not to soldiers, but to civilians. But behind that, of course, one cannot help but feel Hirsch’s own civilian suffering as a barely-teenage Holocaust survivor, who suffered the loss (the murders) of his parents, his brother, his grandparents, but somehow himself escaped and subsequently spent the war and the period thereafter with gangs of boys who stole and ran and fled to survive.
Director Paul Thompson and actor Alon Nashman discuss the legendary John Hirsch.” Continue reading
Follow the instructions in this post from the Accordion Noir Festival.
Every so often, I find someone who is not aware that accordion music is far, far more than Lawrence Welk (great as he was) and the polka (as thrilling as that dance is). Accordions are cooler than absolute zero right now. They appear in Balkan festivals, mariachi groups, experimental music, and in all the old classic ways too.
Take a listen to Yves Lambert Trio, who are playing this weekend.
Festival du Bois celebrates the francophone community in British Columbia, many of whom settled around Maillardville. For starters (but there’s more):
The festival kicks off on Friday February 28 at Place des Arts with a concert featuring the award-winning Alexis Normand. And it just gets better!
Rendez-vous à Mackin Park on Saturday & Sunday March 1 and 2 2014 pour un weekend de folie with tuneful music, outstanding performances, interactive workshops and much more.
Visitors can also expect to learn more about Maillardville and its village, participate in fun activities, bring back some souvenirs and maple syrup, and indulge their taste buds with delicious tourtière, maple taffy on snow, homemade poutine and other tasty francophone and world fare. Or you can just relax with a beverage and enjoy some great tunes!
John Hirsch is a monolith in Canadian theatre. A co-founder of the Manitoba Theatre Centre, he started an establishment that would be a standard-bearer for many regional theatres across North America. Additionally, he was a reputed director, notably serving as the head of television drama with CBC and also as the artistic director for the Stratford festival. However, for all his accomplishments, much like everything cultural that stays in Canada, not many people, including Canadians, have actually heard of him before.
Until recently. Hirsch, which debuted at the 2012 Stratford Festival, is a one-man biographical show which helps to shed light on the character that helped to shape Canadian drama. Performed by Alon Nashman, Hirsch is a collection of vignettes of the life of the title subject. Dramatic, witty, and always active, Nashman brings you into his universe, where he acts both as storyteller and dramatic actor, spinning a tale which recaptures the greatness and humanity of a man who was at turns honored, feared and reviled in acting circles.
(Hirsch, promo video)
The world of drinks and mixology always has a new surprise up its sleeve; after all, cocktails are just mixtures of various ingredients, one of which has to include alcohol. By now, we should not be surprised when some seemingly random combination that sounds like an incomplete shopping list for folk remedies is passed off as a genius potent potable.
But kombucha and mezcal? One’s a fermented black tea that’s supposed to be an ancient cure-all elixir, the new hipster food to take its rightful place with, ironically enough, bacon and crème brulee beignets. The other is the bastard cousin of tequila, the basement grappa to the Bordeaux of agave. Aside from words that you’d only dream of playing in a game of Scrabble, how could they possibly fit together in the same evening?
O5 Rare Tea Bar
Very well, actually, as O5 Rare Tea Bar showed us on Sunday evening. O5 routinely puts on interesting events – from various sushi nights or Japanese cultural events to chocolate appreciation to movie nights. Done in their lounge, they have teas on hand to offer to guests, which is perfect to get people to loosen up, relax and just have fun for the night.
The Vancouver Recital Society is well-known for the amazing work it has done bringing wonderfully talented musicians to Vancouver. The acclaimed pianist Murray Perahia, who is playing this concert at the Chan Centre on February 23, did a superlative masterclass with three very young Vancouver pianists (one said his age was 14, and the others must be about the same age). The tickets to attend were an exceedingly reasonable $10–perhaps the best money I have spent all year to hear so much talent in such an intimate venue (Pyatt Hall).
I won’t focus on the three young pianists, as they are minors, except to say that all three seemed humble and appreciative, but were able to put aside any fears and perform their pieces very well indeed, and respond to suggestions and discussions agreeably and readily.
The first piece was Chopin’s BALLADE NO. 4 IN F MINOR, OP. 52. I’ve attached a beautiful performance by Zimerman here.
What was most interesting to me is how thoughtful and considered Perahia is about understanding the composer’s intentions. He said that Chopin had written this piece near the end of his life, when he was likely full of disappointments. Perahia pointed out a passage, saying this sounded like pristine and chaste love, but then a while later, it is love that is full of ecstasy. Then, later, the crashing fury. Perahia quoted a teacher who had called this passage “the nearest thing to a murder in music”.